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His and Kramer’s work taken together create an account of the early days of AIDS that wasn’t seen in the mainstream press. Unlike Kramer, who infuses his work with his own political essays and calls to arms, Shilts remains an impartial journalist, presenting the accounts in a matter-of-fact manner, pulling together international stories alongside what he had witnessed in San Francisco.
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And the Band Played On is an extensive, searing work of investigative journalism. San Francisco based writer Randy Shilts had, like Kramer first-hand experience of the early days of the epidemic. Photo credit: Catherine McGann/Getty Images.Īnd the Band Played On: Politics, People, and the AIDS Epidemic (1987) Larry Kramer at an AIDS conference in New York in 1987. Kramer used ‘Holocaust’ as a deliberate reference to the US government’s inaction on AIDS, which he saw as a deliberate genocide of the gay community. In it, he combines his fiery political writing with factual accounts of the early years of AIDS. It opened: ‘If this article doesn’t scare the shit out of you we’re in real trouble.’ He went on to write regular columns on the issue for The Native, but also wrote Reports from the Holocaust in 1989. Larry Kramer, at this point best known as a film producer, in 1983 wrote the article 1, 112 and Counting in the New York Native. Reports from the Holocaust: The Making of an AIDS Activist (1989) In non-fiction there were two works that early on sought to catalogue the history that in many respects wasn’t being reported. Since the beginning of the AIDS pandemic those affected began telling their stories, both as an act of memorial, remembering those the government was neglecting, and of activism trying to educate where governments failed to, and later to continue to raise awareness. There is a vast array of work to choose from.
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Get on it, Hollywood - you just haven't been the same since Steve Guttenberg was a regular presence at the cineplex.Dr Emily Garside’s guide to which HIV/AIDS narratives to read and watch next after Russell T Davies’ acclaimed series It’s A Sin. In a reimagined Cocoon, Guttenberg could play Walter, the Brian Dennehy character with a twinkle of charm and an amiable smile. With its menagerie of quirky misfit cops, is it so out of pocket to hope for a resurgence of Police Academy with an updated sensibility and a passel of new, young recruits that the old gang has to whip into shape? Black Mirror recreated the Boston Dynamics robots as relentless killing machines - someone could turn them into adorable pals for a new Short Circuit. With the near constant drumbeat of sequels and reboots coming out of Hollywood and the nostalgia that the '80s tends to generate, is it so far-fetched to anticipate the Three Men and a Baby threequel, Three Men and a Bride, that Guttenberg's former co-star Tom Selleck mentioned on The Talk in 2013 ? Brooklyn Nine-Nine has steadily charmed audiences weekly for years. Of course.Īs he approaches his 60th birthday, Guttenberg still has plenty of years left to entertain the masses.
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In a full circle moment, fellow Police Academy alum Michael Winslow joined him, and the next year they reprised their roles in the sequel, 2 Lava 2 Lantula. That same year, he made an appearance in Sharknado: The 4th Awakens.
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His character - clearly a tongue in cheek version of himself - was an action star past his prime named Colton West who became an unlikely real-life hero when he had to face an outbreak of giant fire-breathing spiders. In 2008, he did the requisite stint on Dancing with the Stars. In 2015 he starred in Lavalantula, one of Syfy's updated B-movie homages that sprang up after the surprise ratings success of Sharknado. In the '90s, he booked plenty of guest roles in film and television. What does a multi-franchise-leading actor do when Hollywood no longer calls on him to lead? Well, if you're Steve Guttenberg, you pivot in new directions and embrace new avenues for work. Guttenberg didn't stop when his prospects started to dry up after a decade of immense success.